Photo
Mark Dion - Toys ‘R’ U.S. ( When Dinosaurs Ruled the Earth) 1994
Most of Dion’s collection rooms in fact are making far more grounded statements than their playful appearance indicate. For instance, it is not immediately gathered from the above room that Dion is commenting on the connection between the popularisation of scienceitifc theories and commodification (as explained by Lise Graziose Corrin ‘Survey’).I am intrigued by Dion’s motives behind his work but I am far moe inspired by his assembling of sourced objects and their reflection of a ‘cabinet of curiosity’. 

Mark Dion - Toys ‘R’ U.S. ( When Dinosaurs Ruled the Earth) 1994

Most of Dion’s collection rooms in fact are making far more grounded statements than their playful appearance indicate. For instance, it is not immediately gathered from the above room that Dion is commenting on the connection between the popularisation of scienceitifc theories and commodification (as explained by Lise Graziose Corrin ‘Survey’).

I am intrigued by Dion’s motives behind his work but I am far moe inspired by his assembling of sourced objects and their reflection of a ‘cabinet of curiosity’. 

(Source: blueskythinkingproject)

Photo
pfefferminze:

I’m not an artist, but I get bored really easily and since I know the structure of the bones from memory, decided to take a shot and draw this: a human cranium. 

pfefferminze:

I’m not an artist, but I get bored really easily and since I know the structure of the bones from memory, decided to take a shot and draw this: a human cranium. 

Photoset

ucresearch:

Satellite Collections


This is an ongoing project done by UC Berkeley alum Jenny Odell.  The images above are taken from Google Maps and recontextualized into abstract compositions. On her website she explains:

“In all of these prints, I collect things that I’ve cut out from Google Satellite View— parking lots, silos, landfills, waste ponds. The view from a satellite is not a human one, nor is it one we were ever really meant to see. But it is precisely from this inhuman point of view that we are able to read our own humanity, in all of its tiny, repetitive marks upon the face of the earth. From this view, the lines that make up basketball courts and the scattered blue rectangles of swimming pools become like hieroglyphs that say: people were here.”

Read more about her work on TIME Lightbox

Photo
wwwtxt:

Various brushes, freehand drawing, and elipses ▰ From “Amazing Graphics” in AmigaWorld (Premiere) ☯85SEP

wwwtxt:

Various brushes, freehand drawing, and elipses ▰ From “Amazing Graphics” in AmigaWorld (Premiere) ☯85SEP

Photo
vincentjunier:

InsideCollage770 X 570

vincentjunier:

Inside
Collage
770 X 570

Link

Photo
Photo
Photo
Photo
Photo
A Fool’s Lizard (2012)

A Fool’s Lizard (2012)

Photo
Photo
Photo
Photo